She has sung the soprano solo of close to 100 oratorios, mostly works by J. S. Bach, G. F. Händel, H. Purcell, A. Vivaldi, J. Haydn, W. A Mozart, L. van Beethoven, F. Schubert, F. Mendelssohn-Bartholdy, but her repertoire also includes early baroque composers’ ecclesiastical and secular compositions that count as curiosities (Charpentier, Tunder, Carissimi, Kusser), just like seldom played romantic and 20th century pieces (Bruch, Suter, Poulenc, Britten, Honegger), as well as the opuses of indispensable contemporaries (György Orbán,  György Selmeczi, Levente Gyöngyösi,Sándor Szokolay, etc.)


The love of works from the song genre and singing songs has played an important role in her career since her college years; she has sung at numerous song and chamber music recitals and also wrote her thesis in this subject. In addition to songs by H. Purcell and W. A. Mozart and J. Haydn’s canzonettas, her favourites include German Lied compositions (F. Schubert, R. Schumann, H. Wolf), along with the special atmosphere of 20th century French composers's works (C. Debussy, F. Poulenc). She frequently interprets contemporary composers’ pieces, and has sung several world premieres.


She sings her operatic roles as an invited soloist in the scope of various festivals and independent performances. In addition to a mostly baroque and classical repertoire (Diane, L’Amour, Euridice, Belinda, Pamina, Despina, Ilia, Zerlina, Zaide, Vespina, etc.) her roles also include lyrical parts in lighter romantic (Ännchen, Adéle, Gilda, Musetta) and contemporary works (Rowan, Etelka, Szirén). Operettas and musical plays have always accompanied her stage carreer. (Angèle, Arsena, Saffi, Maria Lujza, Valencienne).